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Artworks

Cristina Mittermeier, Guardian of the Watch House (Canada), 2017

Cristina Mittermeier Mexico, b. 1966

Guardian of the Watch House (Canada), 2017
Archival Pigment Print
32x48 inches exhibited; also available 20x30, 40x60, 50x75 inches
3/6
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Some photographs don’t ask to be taken. They demand it. I had come to stand in solidarity with the Tsleil Waututh (slay-el wah-tooth) and their allies, as the Canadian government...
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Some photographs don’t ask to be taken. They demand it.

I had come to stand in solidarity with the Tsleil Waututh (slay-el wah-tooth)

and their allies, as the Canadian government pushed forward plans to force

dirty oil from the Alberta tar sands through the ancestral lands and waters

of British Columbia. The pipeline would cut through Burrard Inlet, the heart of

what is now called Vancouver, but what has always been the sacred home

of the Tsleil Waututh Nation.

That day, the weight of centuries of resistance was thick in the air, sharpened

by the sting of yet another betrayal. Beside me stood Will George, a Tsleil

Waututh warrior, land defender, and protector who has carried this fight on

his shoulders. I had photographed him before, but never like this. This was

not ceremony. This was not calm. This was rage.

Will threw his fists to the sky and unleashed a cry that seemed to carry genera-

tions with it, anger, grief, defiance, and love for the land that had always been his.

I raised my camera and pressed the shutter. The photograph is stark, black and

white, because no color could have contained that moment. His silhouette is

an emblem of heartbreak and strength, of sovereignty and guardianship,

of the impossible fight to be heard in a system built to silence.

Will once told me, “I’m not an activist. I’m a protector.” This image is a testa-

ment to that truth. It does not offer a solution, but it refuses to look away. And

sometimes, bearing witness is the first step toward justice.

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