Cristina Mittermeier Mexico, b. 1966
Culture is not static. It’s alive, breathing, laughing,
and sometimes, blowing bubbles.
I made this image high in the misty highlands of Papua New Guinea during a
sing sing, a vibrant annual cultural festival where tribes from across the region
gather in full traditional regalia to celebrate their heritage. The air was thick
with drumbeats, the smell of earth and fire, and the unmistakable energy of
pride passed from generation to generation.
I felt like I was floating in a dream, lost in the sounds, smells, and colors. Then I
saw them: two adult men flanking two young boys, all four painted head to
toe in striking yellow and white bands to resemble bumblebees. Their faces
were radiant, their torsos marked like living canvases. Around their necks
hung curved pig tusks, symbols of value and heritage worn with the weight
of meaning.
But the boys had something extra. On their faces, delicately painted, was a
bumblebee. Bright yellow and black, the little bee’s wings seemed to flutter
across their cheeks, sitting proudly between the seriousness of the ceremony
and the sparkle of childhood. It was playful, but it wasn’t a joke.
And then... the bubbles.
The two boys were chewing bubblegum. Not just chewing; they were
mid-bubble. Bright pink orbs floating in front of yellow-painted faces.
The contrast was irresistible. Ancient and modern, ceremonial and silly, all in
one frame.
I couldn’t help but laugh, and they laughed too.
There was something perfect about that moment. A reminder that tradition
doesn’t have to be solemn to be sacred. That joy, play, and identity can live
together. The elders held their pride with dignity, and the children, well, they
did too, in their own way.
Culture isn’t a relic. It’s something handed down but also shaped by every new
hand that receives it. And sometimes, that hand is sticky with bubblegum.